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Alternative title: Special Issue : A Tribute to Professor Patrick Buckridge
Issue Details: First known date: 2014... vol. 21 no. 1 June 2014 of Queensland Review est. 1994 Queensland Review
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Notes

  • Contents indexed selectively.

Contents

* Contents derived from the 2014 version. Please note that other versions/publications may contain different contents. See the Publication Details.
Editorial, Kay Ferres , Belinda McKay , single work essay (p. 1-3)
Going Forward to the Past : The Future of Literary Studies in Australian Universities, Patrick Buckridge , single work criticism
'The imminent death of the study of past literature in Australian universities has been pronounced many times since the 1980s. It seems to have been taking several decades to die, but its time may finally be upon us. When I first joined Griffith Humanities in 1981, the then Head of School, David Saunders, told me that though he might wish it otherwise, the literature of the past would always be studied in universities — if only because there was so much of it and because, like Everest, it was simply ‘there’. I now think he may have been wrong. It is likely enough, in my view, that some — mainly older — people will keep reading, studying and discussing the literary tradition for a long time to come: in reading groups, U3A classes and the like. More about that later. But I doubt if anyone will be doing it in Australian universities for very much longer.' (Publication abstract)
(p. 4-16)
Patrick Buckridge — A Tribute, Susan Lever , single work biography

'Patrick Buckridge is that rare person — even in the academic world: a true scholar with a deep, sometimes eccentric, passion for ideas. He belongs contentedly to Brisbane while engaging intellectually with the vast world of scholarship in history, language and literature. He has retained his interest in his first love, Renaissance literature, but understands that literature is also here and now, in the society around him. So his studies have extended to Australian writers, Queensland literary history, the history of the book, the history of literary criticism and the nature of readership for literary work. As his May 2013 public lecture demonstrated, he believes in the continued importance of attentive reading as a source of intellectual understanding.' (Publication abstract)

(p. 17-20)
The Brickworks of Ipswich, Queensland : A Note of Gratitude to Patrick Buckridge, Jonathan Richards , single work essay (p. 21-22)
‘A Peacock's Plume Among a Pile of Geese Feathers’ : Rosa Praed in the United States, David Carter , single work criticism

'Rosa Praed has been claimed as ‘the first Australian-born novelist to achieve a significant international reputation.’ Almost certainly, she was the first Australian-born novelist to be published in the United States, although she was in England by the time her first novel appeared in America in 1883. Of Praed's forty-seven published works, twenty-five appeared in American editions in the three decades from 1883 to 1915, including twenty-four of her thirty-eight novels in more than forty separate editions. In the years either side of the century's turn, she was among the best known Australian writers in America, alongside Louis Becke and Rolf Boldrewood.' (Publication abstract)

(p. 23-38)
Literary Adaptation and Market Value : Encounters with the Public in the Early Career of Roger McDonald, Christopher Lee , single work criticism
'In The world republic of letters, Pascale Casanova suggests that an intimate relation between politics and literature is a feature of postcolonial nations because the relative lack of literary capital on the margins prevents the autonomy that is available to writers in the great national literary spaces such as France, England and the United States. The pressing imperatives of post-colonial responsibility certainly pose a particular challenge for contemporary Australian novelists aspiring not just to local distinction, but also access to international markets and a wider reputation in the world republic of letters. In Australia, the writer's aspiration to a wider market share and greater cultural capital has often been construed as a forlorn search for a reliable readership. An established following provides a foundation for the development of a consistent artistic oeuvre, which is in turn able to support the critical topoi of canonisation: promise, originality, development and genius.' (Publication abstract)
(p. 39-48)
‘What's in a Name?’ The Mystery of Ellerton Gay, Belinda McKay , single work criticism

Serendipity has always played a role in research, and today the availability of digitised newspapers through Trove offers new opportunities for chance discoveries. A couple of years ago, Glenn R. Cooke — then Research Curator of Queensland Heritage at the Queensland Art Gallery — referred me to a snippet from The Queenslander of 15 October 1892, where the Melbourne correspondent writes:

My attention was recently drawn to ‘Drifting’, a novel by a Queensland lady who uses the nom de plume of ‘Ellerton Gay.’ She lived, I believe, for eighteen years in Toowoomba, and is the wife of Mr. J. Watts-Grimes, who is well known in squatting circles. She has lived in England six years, and there she has embalmed her memories of the Queensland which is so dear to her. ‘Drifting’ is much admired here.

‘What's in a name?’ asks the title of one of Ellerton Gay's short stories. The pseudonym, which was evidently an open secret in her lifetime, has subsequently obscured ‘Ellerton Gay’ and her creator, Emma Watts Grimes, from the view of literary historians: Patrick Buckridge and I, for example, overlooked her in our historical survey of literature in Queensland, By the book (2007). Until very recently, the AustLit Database listed her as male, with no further biographical details, and — despite its recent facsimile republication of her novel, Drifting under the Southern Cross (1890) — the British Library fails to make the link between Ellerton Gay and Emma Watts Grimes in its catalogue entry. The reissue of this novel, justifiably ‘much admired’ in its own time, suggests that its elusive author is worth a reappraisal. Since Ellerton Gay's oeuvre draws extensively on the lived experience of Emma Watts Grimes and her extended family, this article provides a biographical sketch before discussing the fictional works.' (Publication abstract)

(p. 49-61)
The Lyceum Club and the Making of the Modern Woman, Kay Ferres , single work criticism
'In 1934, the editor of the Courier-Mail’s women's page, Winifred Moore, reflected on the growth and importance of women's clubs in Queensland in the early decades of the twentieth century. Moore herself had been involved in community organisations since she took up her career in journalism during World War I. She was a foundation member of the National Parks Association, a member of the Press Association, the Queensland Women's Electoral league (QWEL) and the Lyceum Club. Many of her contemporaries shared what she called ‘the club habit’, a habit that had enabled women to ‘find their tongues in public assemblies’ in the decades after they achieved the vote (Courier-Mail, 8 February 1934, 16). As she wrote her column, Moore may have been thinking of a particular woman: her friend Irene Longman (1877–1964), who had been elected to the Queensland Legislative Assembly in 1929, only to lose her seat at the next election.' (Publication abstract)
(p. 62-71)
Shadowing Vida Lahey : Bats, Books and Biographical Method, Sue Lovell , single work criticism
'In bumper-to-bumper traffic along the Pacific Motorway at dusk, I edge south past the Logan Road exit towards the Gold Coast. Vehicles moving easily north have already put their headlights on. Flying foxes are massing against the darkening sky. These native megabats will find their way to food using their sharp eyes and sense of smell. As I watch, I am reminded of the microbats of another hemisphere. Those blind bats had prompted Thomas Nagel's famous paper, ‘What is it like to be a bat?’' (Publication abstract)
(p. 72-83)
Place, Ecology and Environmental Writing in the Queensland Novels of Arthur Upfield, Philip Neilsen , single work criticism
'In the 29 novels by Arthur Upfield in which he is the protagonist, Detective Inspector Napoleon Bonaparte (Bony) is often referred to as a product of Queensland. We are reminded repeatedly of his origins, first in North Queensland (where he was born and raised on a mission) and then Brisbane (where he was educated, and where he and his wife live in the suburb of Banyo – though this city location is never described). But my main purpose here is to explore Upfield's representation of ‘place’, specifically in the three Queensland-focused Bony novels, and the related, recurrent discourses and tropes commonly associated with environmental writing and eco-criticism: wilderness, toxicity, pastoral, dwelling and particularly environmental crisis, eruption and catastrophe.' (Publication abstract)
(p. 84-92)
Book Reviews : The End of the Homosexual?, Scott McKinnon , single work review
— Review of The End of the Homosexual? Dennis Altman , 2013 single work autobiography ;
(p. 109-110)
Book Review : Bite Your Tongue, Jessica Gildersleeve , single work review
— Review of Bite Your Tongue Francesca Rendle-Short , 2008 single work novel ;
(p. 110-112)
Book Review : The Internment Diaries of Mario Sardi, Catherine Dewhirst , single work review
— Review of The Internment Diaries of Mario Sardi Mario Sardi , 2013 single work diary ;
(p. 112-113)
Review : Memoir of a Natural History Collector, Kirsty Gillespie , single work review
— Review of Andrew Goldie in New Guinea 1875 - 1879 : Memoir of a Natural History Collector no. 6 18 December 2012 periodical issue ;
(p. 114-115)

Publication Details of Only Known VersionEarliest 2 Known Versions of

Last amended 20 May 2015 17:13:45
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