AustLit

'A colonial-era novel provides a window onto the ideas that produced our fractured federation' 

'First encounters between Indigenous Australians and European voyagers, sealers, and missionaries often unfolded on the beach, a contact zone where meaning and misunderstanding sparked from colliding worldviews. This sandy theatre also serves as one of the enduring metaphors of ethnographic history, a discipline that reads through the accounts of European explorers, diarists, and administrators to reconsider historical accounts of the gestures of Indigenous people from within their own cultural frameworks. Europeans blinded by racial preconceptions scribbled reports about the peoples they met, often misinterpreting actions as foolish, threatening, or pointless. Yet from the late twentieth century, historians such as Greg Dening (whose extensive theoretical work positioned the beach as the great physical and mental horizon of contact history) began combing through accounts of these tense meetings to reach for the other side of the story.' (Introduction)

‘What might an Indigenous-led emancipatory politics and a truly postcolonial sociality look like? What are its limits and possibilities within this fraught paradigm, the double bind of reconciliation?’ Penelope Edmonds poses these urgent questions in Settler Colonialism and (Re)conciliation: Frontier Violence, Affective Performances and Imaginative Refoundings. In recent months, her transnational study has become pressing reading as the ‘Uluru Statement from the Heart’1 reignites perennial debates about the relationship between Indigenous people and the settler state.'

Alexandra Roginski (2016)

'1860. An Aboriginal labourer named Jim Crow is led to the scaffold of the Maitland Gaol in colonial New South Wales. Among the onlookers is the Scotsman AS Hamilton, who will later take bizarre steps in the aftermath of the execution to exhume this young man’s skull. Hamilton is a lecturer who travels the Australian colonies teaching phrenology, a popular science that claims character and intellect can be judged from a person’s head. For Hamilton, Jim Crow is an important prize.

'A century and a half later, researchers at Museum Victoria want to repatriate Jim Crow and other Aboriginal people from Hamilton’s collection of human remains to their respective communities. But their only clues are damaged labels and skulls. With each new find, more questions emerge. Who was Jim Crow? Why was he executed? And how did he end up so far south in Melbourne?

'In a compelling and original work of history, Alexandra Roginski leads the reader through her extensive research aimed at finding the person within the museum piece. Reconstructing the narrative of a life and a theft, she crafts a case study that elegantly navigates between legal and Aboriginal history, heritage studies and biography.

'The Hanged Man and the Body Thief is a nuanced story about phrenology, a biased legal system, the aspirations of a new museum, and the dilemmas of a theatrical third wife. It is most importantly a tale of two very different men, collector and collected, one of whom can now return home.' (Publication summary)