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This addition to Intellect’s Directory of World Cinema series turns the spotlight on Australia and New Zealand, offering an in-depth and exciting look at the cinema produced in these two countries since the turn of the twentieth century. Though the two nations share considerable cultural and economic connections, their film industries remain distinct, marked by differences of scale, level of government involvement and funding, and relations with other countries and national cinemas. The volume includes essays
about prominent genres and themes, profiles of directors, and comprehensive reviews of significant titles, this user-friendly guide explores the diversity and distinctiveness of films from both countries.
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Directory of World Cinema : Australia and New Zealand 2
Directory of World Cinema : Australia and New Zealand Two
Ben Goldsmith
(editor),
Mark David Ryan
(editor),
Geoff Lealand
(editor),
Bristol
:
Intellect
,
2015
8814340
2015
anthology
criticism
'Building on and bringing up to date the material presented in the first installment of Directory of World Cinema: Australia and New Zealand, this volume continues the exploration of the cinema produced in Australia and New Zealand since the beginning of the twentieth century. Among the additions to this volume are in-depth treatments of the locations that feature prominently in the countries' cinema. Essays by leading critics and film scholars consider the significance in films of the outback and the beach, which is evoked as a liminal space in Long Weekend and a symbol of death in Heaven's Burning, among other films. Other contributions turn the spotlight on previously unexplored genres and key filmmakers, including Jane Campion, Rolf de Heer, Charles Chauvel, and Gillian Armstrong.
'Accompanying the critical essays in this volume are more than one hundred new film reviews, complemented by full-colour film stills and significantly expanded references for further study. From The Piano to Red Dog, from Pictures to The Orator, Directory of World Cinema: Australia and New Zealand 2 completes this comprehensive treatment of two similar – but also different – consistently fascinating national cinemas.' (Publication summary)
