AustLit

'‘Just let him go.’

'Those are words Ky Tran will forever regret. The words she spoke when her parents called to ask if they should let her younger brother Denny out to celebrate his high school graduation with friends, in a neighbourhood growing more unpredictable by the day. That night, Denny – optimistic, guileless, valedictorian Denny – is brutally murdered inside a busy restaurant in the Sydney suburb of Cabramatta, a refugee enclave facing violent crime, a racist police force, and the worst heroin epidemic in Australian history.

'Returning home to Cabramatta for the funeral, Ky learns that the police are stumped by her brother’s case: several people were present at Denny’s murder, but each bystander claims to have seen nothing.

'Ky sets aside her grief and determines to track down the witnesses herself. Peeling back the layers of the place that shaped her, Ky confronts the complex traumas weighing on those present the night Denny died, and finds that the seeds of violence that led to his death were planted well before that fateful night: by colonialism, by the war in Vietnam, and by the choices they’ve all made to survive.' (Publication summary)

'A novel about the relationship between life and art, and between language and the inner world - how difficult it is to speak truly, to know and be known by another, and how much power and friction lies in the unsaid, especially between a mother and daughter.

'A young woman has arranged a holiday with her mother in Japan. They travel by train, visit galleries and churches chosen for their art and architecture, eat together in small cafes and restaurants and walk along the canals at night, on guard against the autumn rain and the prospect of snow. All the while, they talk, or seem to talk: about the weather, horoscopes, clothes and objects; about the mother's family in Hong Kong, and the daughter's own formative experiences. But uncertainties abound. How much is spoken between them, how much is thought but unspoken?

'Cold Enough for Snow is a reckoning and an elegy: with extraordinary skill, Au creates an enveloping atmosphere that expresses both the tenderness between mother and daughter, and the distance between them.'

Source: Publisher's blurb.

'Lucky's is a story of family. A story about migration.

'It is also about a man called Lucky. His restaurant chain. A fire that changed everything. A New Yorker article which might save a career. The mystery of a missing father. An impostor who got the girl. An unthinkable tragedy. A roll of the dice. And a story of love, lost, sought and won again, (at last).' (Publication summary)

'Conspiracies, memes, and therapies of various efficacy underpin this beguiling short-story collection from Elizabeth Tan.

'In the titular story, a cat-shaped oven tells a depressed woman she doesn’t have to be sorry anymore. A Yourtopia Bespoke Terraria employee becomes paranoid about the mounting coincidences in her life. Four girls gather to celebrate their underwear in ‘Happy Smiling Underwear Girls Party’, a hilarious take-down of saccharine advertisements.

'With her trademark wit and slicing social commentary, Elizabeth Tan’s short stories are as funny as they are insightful. This collection cements her role as one of Australia’s most inventive writers.'

Source: Publisher's blurb.

'After a catastrophic storm destroys Melbourne, Isobel flees to higher ground with her husband and young daughter. Food and supplies run low, panic sets in and still no help arrives. To protect her daughter, Isobel must take drastic action.

'The Glad Shout is an extraordinary novel of rare depth and texture. Told in a starkly visual and compelling narrative, this is a deeply moving homage to motherhood and the struggles faced by women in difficult times.'

Source: Publisher's blurb.