Issue Details: First known date: 2014 2014
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'Research is yet to describe the stylistic preferences that shape contemporary Australian verse novels which provide political and social critique. This article examines Lisa Jacobson’s The Sunlit Zone (2011), Judy Johnson’s Jack (2006), and Geoff Page’s Freehold (2005), texts which share a stylistic preference for representations of speech and thought that are closer to ‘naturally’ occurring oral communication, and which maximise use of vernacular, regional idiom, and colloquial diction. A close reading of these texts identifies the expressivity markers by which they depict attitudes, beliefs, and values pertaining to ‘country’, with particular focus on analysing the interplay of poetic and narrative elements that is instrumental to foreground the ‘natural’, and to correlate their narratives with mimetic, real-world representation.' (Publication abstract)

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  • Appears in:
    y JASAL Country vol. 14 no. 3 2014 7916868 2014 periodical issue

    The BlackWords Symposium, held in October 2012, celebrated the fifth anniversary of the establishment of BlackWords, the AustLit-supported project recording information about, and research into, Aboriginal and Torres Strait Islander writers and storytellers. The symposium showcased the exciting state of Aboriginal and Torres Strait Islander creative writing and storytelling across all forms, contemporary scholarship on Indigenous writing, alongside programs such as the State Library of Queensland’s black&write! project, which supports writers’ fellowships, editing mentorships, and a trainee editor program for professional development for Indigenous editors. But really, the event was a celebration of the sort of thinking, the sort of resistance, and the re-writing of history that is evident in the epigraph to this introduction. ' (Source: Kilner, Kerry and Minter, Peter, JASAL Vol 14. No. 3, 2014: 1)

    2014
Last amended 10 Oct 2014 05:37:10
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