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1 5 form y separately published work icon Under the Skin Walter Campbell , Michel Faber , Jonathan Glazer , ( dir. Jonathan Glazer ) United Kingdom (UK) : Film4 British Film Institute Silver Reel , 2013 7792586 2013 single work film/TV science fiction

'A mysterious woman seduces lonely men in the evening hours in Scotland. Events lead her to begin a process of self-discovery.' (Production summary)

1 y separately published work icon Ealing Revisited Mark Duguid (editor), Lee Freeman (editor), Melanie Williams (editor), Keith M. Johnston (editor), United Kingdom (UK) : Palgrave Macmillan British Film Institute , 2012 11372126 2012 anthology criticism

'Ealing Revisited provides a major reappraisal of one of British cinema's best-loved institutions, Ealing Studios.

'During its heyday, Ealing produced a string of classic comedies, including Kind Hearts and Coronets (1949), The Lavender Hill Mob (1951) and The Ladykillers (1955), but there is much more to Ealing than these films, as this volume of new writing on the studio shows.

'Addressing both known and less familiar aspects of Ealing's story, its films, actors and technicians, the contributors uncover what has gone unexplored, or unspoken, in previous histories of the studio, and consider the impact that Ealing has had on British cultural life from the 1930s to the present.'

Source: Publisher's blurb.

1 y separately published work icon Film Moments : Criticism, History, Theory Tom Brown (editor), James Walters (editor), London : British Film Institute , 2010 11461009 2010 anthology criticism
1 y separately published work icon Teen TV : Genre, Consumption, Identity Glyn Davis (editor), Kay Dickinson (editor), United Kingdom (UK) : British Film Institute , 2004 8645149 2004 multi chapter work criticism
1 y separately published work icon Chinese Films in Focus : 25 New Takes Chris Berry (editor), London : British Film Institute , 2003 11379839 2003 anthology criticism

'The Chinese cinemas–including mainland China, Taiwan, and Hong Kong–have been the most internationally popular and successful non-Western cinemas for almost two decades now. In recent years, they have generated a vigorous and thriving field of interpretation and criticism. Chinese Films in Focus: 25 New Takes is an anthology of 25 fresh and original readings of individual Chinese films. Mainland China, Taiwan, Hong Kong, and the diaspora are all included, and historical coverage ranges from the 1930s to the present. Film titles covered include Farewell My Concubine, Chungking Express, Flowers of Shanghai, The Goddess, Bullet in the Head, Crouching Tiger Hidden Dragon, Crows and Sparrows, Yi Yi, and many more. As well as globally famous films, the anthology also introduces a number of Chinese classics that are less well known internationally and deserve more attention.'

Source: Publisher's blurb.

1 y separately published work icon Sight and Sound 1932 London : British Film Institute , 1932- 7792379 1932 periodical (1 issues)

Sight & Sound is a British monthly film magazine published by the British Film Institute (BFI).

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