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Anne Wallace Artist Profile
By Abby O
(Status : Public)
Coordinated by Curating Assesment
  • Artist

    Artist: Anne Wallace

    Birth date, place: 1970, Brisbane, Australia

    This artist's profile was developed by Abbigail O'Donnell during 2014 at The University of Queensland as a part of the Visual Arts Curating and Writing course, convened by Dr Allison Holland.

  • Biography

    Educated and trained in Brisbane and London, Anne Wallace ‘s figurative painting style found favor in the early 1990’s at the height of postmodernist angst. Her most notable canvases depict scenes of ambiguous meaning and atmosphere, which have been variously compared to Bathus, Magritte and Beckmann in their ability to create tension and layers of meaning.

  • Overview of Career

    The recipient of several prestigious scholarships and awards, including winning the Sulman Prize in 1999, Anne Wallace ‘s artistic career has spanned over two decades. Holding a Bachelor of Arts (QUT) and Master of Arts (Slade School of Fine Art, University College, London), Wallace primarily works in oils in a figurative style, and is often described as a contemporary realist. Despite working and living in Brisbane, Wallace first exhibited in Melbourne and Sydney, before a retrospective of her work was shown in Brisbane in 2000. A veteran of many solo and shared exhibitions, her work has been repeatedly linked to the world of cinema and film noir still shots, despite her insistence to the contrary. The unifying essence of her practice might better be expressed in terms of capturing mental snapshots of poignant moments of ambiguity. Wallace’s paintings catch the instant where dramatic action is suspended , leaving the viewer searching for resolution.This gives her work traction in being about nothing and something significant at the same time. Her work is held in national, state and regional collections. Wallace has not produced any new work since 2011.

  • Artist Statement

    People say of my work that ‘it looks portentous and sinister, but perhaps only something mundane is actually happening’, or vice-versa. In other words, perhaps it’s about the sinister underlying the mundane — the unheimlich, the uncanny — but then again, maybe it’s not. Anne Wallace

    http://www.visualarts.qld.gov.au/content/fortitude_statement.asp?name=AnneWallace_FullStatement

  • Represented

    Darren Knight Gallery, Sydney

    http://darrenknightgallery.com/artists/wallace

  • Collections

    National Gallery of Australia, Canberra, Australia

    Queensland Art Gallery, Australia

    Queensland University of Technology, Brisbane, Australia

    National Gallery of Victoria, Australia

    Brisbane City Art Gallery, Australia

    Toowoomba Regional Art Gallery, Queensland, Australia

    Macquarie Bank Collection, Sydney, Australia

  • Solo Exhibitions

    2011 The Shades, Darren Knight Gallery, Sydney, Australia

    2009 Release the Bats, Queensland Art Gallery – Gallery of Modern Art, Brisbane, Australia

    2005
 Song Cycle, Darren Knight Gallery, Sydney, Australia

    2002
 High Anxiety, Institute of Modern Art, Brisbane, Australia, Brisbane
(with Michael Harrison), Ivan Anthony Gallery, Auckland, New Zealand
The Go-Betweens Paintings, Darren Knight Gallery, Sydney, Australia

    2000
 Private Rooms, Brisbane City Gallery, Brisbane, Australia
A story that can’t be told, University of South Australia 
Art Museum: City West Campus, Adelaide, Australia

  • Group Exhibitions

    2011 Nobody knows – Simon Mee, Rob McHaffie, Anne Wallace, Gold Coast City Art Gallery, Queensland

    2006 Parallel Lives: Australian Painting Today – TarraWarra Biennial 2006 TarraWarra Museum of Art, Healesville,

    Victoria, Australia

    2003-2004 Art Australia, touring Germany: Kunst Raum Sylt-Quelle, Gallerie Seippel, Köln, Stätische

    Gallerie, Delmenhorst, Germany

    2000 Fortitude – New Art from Queensland, Queensland Art Gallery, Brisbane, Australia

    1999-2000 Moral Hallucination: Channelling Hitchcock, Museum of Contemporary Art, Sydney, Australia.

    1998 In Absentia, Drill Hall Gallery, Canberra, Australia

    Collaborations (with Eugene Carchesio), Bellas Gallery, Brisbane, Australia

    1994 Anne & Gordon Samstag International Visual Arts Scholarships, University of South Australia ArtMuseum, Adelaide, Australia

  • Bibliography

    Butler, R. Anne Wallace’s Confessions, Art and Australia, volume 32, number 3 1995

    Conomos, J. Art and cinema as the perfect crime, Art Monthly Australia, Number 128 April 2000

    Colless, E. Double Jeopardy, catalogue essay, Anne Wallace – Recent Paintings, 1999

    Daw, R. In the absence of narrative, catalogue essay, Fortitude, Queensland Art Gallery, August

    2000

    Hall, K. Moments Away, in absentia exhibition catalogue, Drill Hall Gallery, Australian National

    University, Canberra, 1999

    Ross, T. Staging the Gaze in the Art of Anne Wallace, catalogue essay, Anne Wallace – Recent Paintings, 1999

    Spinks, J. Mirror Mirror; Cruelty and Innocence in Recent Paintings by Louise Hearman, Mary Scott and Anne Wallace, Art and Australia, vol.35, no.2 19

  • Awards

    1999 Six month residency at Cite Internationale des Arts, Paris, awarded by the Power Institute of Fine

    Arts, University of Sydney and the Australia Council

    1999 Sulman Prize, Art Gallery of New South Wales, Sydney, Australia

    http://www.artgallery.nsw.gov.au/prizes/sulman

    1995 Melville Nettleship Award, Slade School of Fine Art, London, England

    1993 Anne & Gordon Samstag International Visual Arts Scholarships

    http://w3.unisa.edu.au/samstag/scholars

    1990 Hobday and Hingston Bursary, Queensland Art Gallery, Brisbane, Australia

    Oxlades Prize, Queensland University of Technology, Brisbane, Australia

  • Interviews

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