Metamorphoses single work   poetry   "Street after street held back in unanimity"
Issue Details: First known date: 2011 2011
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Notes

  • This poem is in twelve numbered parts.

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y Clubs and Societies Darlinghurst : The Red Room Company , 2011 Z1906323 2011 anthology website poetry Clubs & Societies was The Red Room Company's major project for 2011, pairing contemporary poets with clubs and societies from across Australia. Darlinghurst : The Red Room Company , 2011
  • Appears in:
    y The Told World Angela Gardner , Bristol : Shearsman Books , 2014 8129951 2014 selected work poetry

    Sometimes it is difficult to distinguish losses from gains. The world we live in constantly changes and so how to make sense of it all? What is the relationship between mind and body when the mind’s world is built from the body’s sensations? What will we be when we return from war, from love? Who will we be in the post-human machine world? How will genetic manipulation change us and our representation of ourselves? The Told World contemplates some themes of ‘The Pastoral’ in a contemporary world and explores the stories that can be told from that chiaroscuro.

    '“With this fine collection Gardner’s work achieves what one poem describes as ‘beauty itself / taut against the half-life rendering.’ Human experience is the shadow cast by these poems, and not the other way around. ‘A wholeness ghost-licked or absent / gets caught in the machinery,’ Gardner observes, and yet these fearlessly unhaunted poems serve to backlight the ghosts that gather at their edges, that any reader brings to bear upon these stanzas’ precise attentions.” —G.C. Waldrep

    '“Angela Gardner’s exhilarating work pushes the materiality of language with all its smart, nimble coherencies and her inimitable wit against the immateriality of ideas almost always grasping ‘the telling space of it’. With immense, high-wire verve, Gardner flits between living in the inconsequential, dismissive social world and the lofty dreaming of an artist’s envisioning truth. Her syntax mirrors these splits and severs and then is healed with passionate and lyrical engagement.” —Cherry Smyth' (Publication summary)

    Bristol : Shearsman Books , 2014
    pg. 12
Last amended 13 Jan 2015 15:24:56
Subjects:
  • Mount Cootha, Brisbane - North West, Brisbane, Queensland,
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