Issue Details: First known date: 2013 2013
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AbstractHistoryArchive Description

'Cinematic products in the twenty-first century increasingly emerge from, engage with, and are consumed in cross-cultural settings. While there have been a number of terms used to describe cinematic forms that do not bear allegiance to a single nation in terms of conceptualization, content, finance and/​or viewership, this volume contends that "crossover cinema" is the most apt contemporary description for those aspects of contemporary cinema on which it focuses. This contention is provoked by an appreciation of the cross-cultural reality of our post-globalization twenty-first century world. This volume both outlines the history of usage of the term and grounds it theoretically in ways that emphasize the personal/​poetic in addition to the political. Each of the three sections of the volume then considers crossover film from one of three perspectives: production, the texts themselves, and distribution and consumption.' – Trove

Contents

* Contents derived from the New York (City), New York (State),
c
United States of America (USA),
c
Americas,
:
Routledge , 2013 version. Please note that other versions/publications may contain different contents. See the Publication Details.
My Tehran for Sale : A Coproduction with Poetry at Stake, Grânâz Moussavi , 2013 single work criticism
Crossover Cinema : A Genealogical and Conceptual Overview, Sukhmani Khorana , 2013 single work criticism

Publication Details of Only Known VersionEarliest 2 Known Versions of

Last amended 2 Dec 2013 10:49:08
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