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Drowning Dream single work   poetry   "That August I began to dream of drowning. It was the season of"
Issue Details: First known date: 2013... 2013 Drowning Dream
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Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon The Best Australian Poems 2013 Lisa Gorton (editor), Collingwood : Black Inc. , 2013 6049548 2013 selected work poetry (taught in 2 units) Collingwood : Black Inc. , 2013 pg. 50
  • Appears in:
    y separately published work icon Contemporary Asian Australian Poets Michelle Cahill (editor), Kim Cheng Boey (editor), Adam Aitken (editor), Glebe : Puncher and Wattmann , 2013 6169988 2013 anthology poetry (taught in 3 units)

    This ground-breaking anthology collects poems written by Australian poets who are migrants, their children, and refugees of Asian heritage, spanning work that covers over three decades of writing. Inclusive of hitherto marginalised voices, these poems explore the hyphenated and variegated ways of being Asian Australian, and demonstrate how the different origins and traditions transplanted from Asia have generated new and different ways of being Australian. This anthology highlights the complexity of Asian Australian interactions between cultures and languages, and is a landmark in a rich, diversely-textured and evolving story. Timely and proactive this anthology fills existing cultural gaps in poetic expressions of home, travel, diaspora, identity, myth, empire and language. [from Trove]

    Glebe : Puncher and Wattmann , 2013
    pg. 139

Works about this Work

'The Rain Might Bloom' : Diaspora, Place and Depictions of Water in the Poetry of Bella Li Rosalind McFarlane , 2018 single work criticism
— Appears in: Journal of the European Association for Studies on Australia , vol. 9 no. 1 2018;

'Bella Li’s writing engages in intertextual ways with philosophy, cartography and writing by other poets and from a diasporic perspective she also engages inventively with Australian literary tropes. Focusing on two poems from Li’s chapbook Maps, Cargo (2013), “Just Then” and “Drowning Dream,” I argue that these poems use intertextual references to enact a form of diasporic place-making through the creation of doubled places. Each of the poems references a poet from the United States of America, John Ashbery for “Just Then” and Anne Sexton for “Drowning Dream,” but each poem also complicates this reference via diasporic citational practices. In the poems this complication, and the act of place-making, is carried out through depictions of water. The doubled properties of water as depicted in these poems are able to offer transformation and reflection, something which allows the doubleness of diasporic place-making to emerge through the intertextuality of the poems. This artistic practice in turn adds a significant diasporic viewpoint to Australian literary criticism about place.'

Source: Publisher's blurb.

'The Rain Might Bloom' : Diaspora, Place and Depictions of Water in the Poetry of Bella Li Rosalind McFarlane , 2018 single work criticism
— Appears in: Journal of the European Association for Studies on Australia , vol. 9 no. 1 2018;

'Bella Li’s writing engages in intertextual ways with philosophy, cartography and writing by other poets and from a diasporic perspective she also engages inventively with Australian literary tropes. Focusing on two poems from Li’s chapbook Maps, Cargo (2013), “Just Then” and “Drowning Dream,” I argue that these poems use intertextual references to enact a form of diasporic place-making through the creation of doubled places. Each of the poems references a poet from the United States of America, John Ashbery for “Just Then” and Anne Sexton for “Drowning Dream,” but each poem also complicates this reference via diasporic citational practices. In the poems this complication, and the act of place-making, is carried out through depictions of water. The doubled properties of water as depicted in these poems are able to offer transformation and reflection, something which allows the doubleness of diasporic place-making to emerge through the intertextuality of the poems. This artistic practice in turn adds a significant diasporic viewpoint to Australian literary criticism about place.'

Source: Publisher's blurb.

Last amended 9 Feb 2014 16:53:05
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