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'This volume is a tribute to the life and work of Hazel Rowley, internationally acclaimed biographer who died unexpectedly in March 2011. Her passions were many and varied: biography, politics, questions of race and sexuality, the ways in which couples negotiate the dilemmas posed by the need to retain their individuality while building a life as a couple, the deleterious effects of imposing a corporate mentality on universities – all these, and more, were subjects of intense interest to her. This collection combines essays responding to many of those interests with creative writing to honour the complexity and variety of her own magnificent contribution.' (Publisher's blurb)
Contents
* Contents derived from the
Newcastle upon Tyne,
Northumberland,
c
England,c
c
United Kingdom (UK),c
Western Europe,
Europe,:Cambridge Scholars Press
, 2013 version. Please note that other versions/publications may contain different contents. See the Publication Details.- Hazel Rowley's Publications, single work bibliography (p. xiv-xviii)
- The Rocambolesque Peregrinations of a Biography in France, single work criticism (p. 15-18)
- In the Footsteps, single work criticism (p. 40-48)
- Hazel Rowley's Christina Stead : The Biographer's Art, single work criticism (p. 49-8)
- Such Comrades : Fred and Katie Martin, single work criticism (p. 68-81)
- Searching Attics and Chasing Salamanders : Hazel Rowley and the Magic Tank of Biography, single work criticism (p. 82-98)
- 'Our Kind of Country' : Writing Australia from New Mexico, single work criticism (p. 104-121)
- Existentialism : Ethics, the Rupturing and Continuing Relevance of Tragedy, single work criticism (p. 148-159)
- Armed with Fruit-Knives : Transgression in Australian Women's Modernist Still-Lifes, single work criticism (p. 202-218)
- Hazeli"Light in motion. A blade", single work poetry
- For Hazeli"Footprints, like words on a brand new page", single work poetry
Publication Details of Only Known VersionEarliest 2 Known Versions of
Last amended 11 Sep 2015 11:23:49
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