y Dusklands extract   novel  
Issue Details: First known date: 2008 2008
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Notes

  • 'Chapter one only.Published in a limited edition of 186 signed copies. 160 copies hand bound in cloth and numbered 1-160. 26 copies hand bound in full leather and ; lettered A-Z.' (Source: Libraries Australia)

Publication Details of Only Known VersionEarliest 2 Known Versions of

Works about this Work

Hunting Animals in JM Coetzee's Dusklands and Waiting for the Barbarians Paul Williams , 2013 single work criticism
— Appears in: Social Alternatives , vol. 32 no. 4 2013; (p. 15-20)

‘J.M. Coetzee’s early novels Dusklands (1974) and Waiting for the Barbarians (1980) outline the Western imperialist project to colonise and subjugate ‘other’ people, animals and the environment. The masculine colonising subject (in Cartesian terms, res inextensa) has separated itself from the world (res extensa) and seeks to conquer and subjugate in order to subsume it. Dusklands comprises two narratives: one, that of Jacobus Coetzee who hunts human and nonhuman animals and leaves a destructive trail behind him as he blazes a frontier in 1800s South Africa; and two, Eugene Dawn, an American mythographer, who advocates his ‘Vietnam Project’ to win the US war in Vietnam in the early 1970s by defoliating the environment and hunting the Vietcong ‘like animals’. In Waiting for the Barbarians, Colonel Joll deals with the Barbarian ‘threat’ to his Empire by similarly destroying the environment, hunting barbarians, and torturing woman and children. Each character is locked into a Cartesian ‘self’ consciousness that cannot interact with the ‘other’ (female, nonhuman animal, ‘indigenous’) except through violence and destruction. Hunting is a manifestation of this disease and the protagonists make no distinction between human, animal or vegetable in their path of destruction in the name of colonial expansion.' (Publication abstract)

Hunting Animals in JM Coetzee's Dusklands and Waiting for the Barbarians Paul Williams , 2013 single work criticism
— Appears in: Social Alternatives , vol. 32 no. 4 2013; (p. 15-20)

‘J.M. Coetzee’s early novels Dusklands (1974) and Waiting for the Barbarians (1980) outline the Western imperialist project to colonise and subjugate ‘other’ people, animals and the environment. The masculine colonising subject (in Cartesian terms, res inextensa) has separated itself from the world (res extensa) and seeks to conquer and subjugate in order to subsume it. Dusklands comprises two narratives: one, that of Jacobus Coetzee who hunts human and nonhuman animals and leaves a destructive trail behind him as he blazes a frontier in 1800s South Africa; and two, Eugene Dawn, an American mythographer, who advocates his ‘Vietnam Project’ to win the US war in Vietnam in the early 1970s by defoliating the environment and hunting the Vietcong ‘like animals’. In Waiting for the Barbarians, Colonel Joll deals with the Barbarian ‘threat’ to his Empire by similarly destroying the environment, hunting barbarians, and torturing woman and children. Each character is locked into a Cartesian ‘self’ consciousness that cannot interact with the ‘other’ (female, nonhuman animal, ‘indigenous’) except through violence and destruction. Hunting is a manifestation of this disease and the protagonists make no distinction between human, animal or vegetable in their path of destruction in the name of colonial expansion.' (Publication abstract)

Last amended 25 Jul 2013 12:50:55
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