'This essay offers new insights into Christina Stead’s Seven Poor Men of Sydney (1934) and in particular its celebrated ‘lecture on light.’ It illuminates the historical context of Stead’s first novel, via reactions to Einstein’s theory of general relativity, as well as its literary historical context, via the responses of modernist writers such as T. S. Eliot and Wyndham Lewis to the new physics. Eliot and Lewis used relativity as a metaphor to describe the literary experimentation of the literary avant-garde, notably James Joyce, as well as their own work. Stead, keenly interested in science but also (as a woman, a political radical and an Australian) something of a literary outsider, interpreted the science quite differently. The essay draws on another important cultural use of Einsteinian relativity, Mikhail Bakhtin’s conception of the chronotope (the unit of space-time in literary form). It argues that Stead’s understanding of the impact of relativity on literary structure when seen from the odd postcolonial space of Sydney, produces a polychronotopic text that radically deterritorialises national space and time. Stead’s use of relativity entails an eccentric critique of avant-garde modernism, but the new physics may also be reinterpreted by Stead as a distinct aesthetic strategy that speaks to an inter-war period of increasing global mobility and political strife.'
Source: Abstract.
